Hex code color picker5/3/2023 ![]() It is not available in older versions of Internet Explorer. The browser support for #RRGGBBAA hex codes requires modern browsers. In this article, you reviewed hex color codes and explored using alpha values for transparency. Learn more about the Chrome DevTools Color Picker. Then toggles between hex code format, RGBA format, and HSLA format. ![]() This example adjusts the alpha value and color value. You can also hold SHIFT and click on the box to toggle through your various format options with the values correctly converted. Once you find it, you can click the box to the left of the color to adjust the values directly. Once your DevTools panel is open, look for the color your checking in the styles section. One quick tip for seeing your colors in different formats is with the Chrome DevTools. Using Chrome DevTools Tip for Picking Colors However, the benefit is if you’re already using hex codes in your codebase, now you can update them to change the transparency, too! No color format changes required. The alpha value in the hexadecimal format can be a little confusing because it’s hard to conceptualize what a base 16 value for transparency will actually look like. There are about 140 named colors in CSS (like red, blue, lavender, etc.).įor example, if you wanted your text to have red color, you could use the keyword red: div Most browsers and devices can render these named colors into color values. A modern web browser that supports #rrggbbaa hex color notation.įirst, CSS supports color keywords.You may benefit from How To Build a Website With CSS tutorial series if you need a refresher. Some familiarity with CSS is required.If you would like to follow along with this article, you will need: In this article, you will review hex color codes and explore using alpha values for transparency. Common ones include hex (hexadecimal) codes, RGB (red, green, blue), RGBA (red, green, blue, alpha), and HSL (hue, saturation, lightness). In CSS, there are several formats for colors that can be used.
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Magicavoxel import multiple ongs5/3/2023 ![]() No time or need for complex rigging, so I used a vibration tag and placed it on every arm for each member of the crowd. On my project, I had to simulate a live concert. Without even starting to rig anything, which is a time-consuming process, just think about adding some basic movements to your models. Just give your models a little bit of rotation and you’ll gain some impression of life.Īnother way of giving life to your scenes is – obviously – to animate them. Voxel modelling can give quite rigid results: everything looks too straight and seems snapped to an invisible grid. The first and easiest one is to rotate them one way or another. There are many ways to give more life to your scenes and objects. Changing their scale could sometimes break the unity of your scene, so use this wisely, with low values. Use the rotation to add life and randomness, but be careful if you plan to scale your models. Since you can’t rotate your stuff in Magicavoxel, this is the perfect occasion to give your objects some life. Once you separated your assets in Magicavoxel and exported them in OBJ files, just import them in C4D (or any other 3D software that you like) and start playing with them: don’t forget to re-assign the texure, then feel free to re-arrange and multiply them. ![]() ![]() I like to keep the first line clear from any color information, and use them for special effects such as glow, transparency, water surface and such… I can easily identify those slots in photoshop, and make various alpha channels with them… that may be usefull to add special reflections, glows or transparencies within a 3D software. One quick thing about the color palette: whenever possible, try to start from scratch and create your own palette for each project. This animation tool allows you to have some frames containing your whole scenes, and another one where you separated and isolated everything, ready for exporting them in OBJ. Just separate the body parts, head, torso, legs and so on.įeel free to use Magicavoxel’s animation tool: it’s a great way to store multiple assets, just remember to export each frame separately. Same thing applies if you plan to animate those things, like making people move. My workflow is to isolate every model: that means no contact with anything: if someone is supposed to sit on a chair, separate both models, you’ll be able to group them again later, but this time with more control. ![]() This will lead to better organized projects, and will give you more freedom and creativity outside of Magicavoxel. The assets need to be separated, so that you’ll be able to move or rotate them, group them or even resize them later. You’ll want to separate those models in different pieces, just like in a puzzle game: those pieces will be put together again in your favorite 3D software later on. If you plan to use your models inside a 3D software, you should prepare them before exporting the whole thing. Do your thing, and… have fun in the process! I won’t talk too much about modeling in Magicavoxel here, there’s a lot of tutorials about it and the process is quite simple. It should help you settle your mind on what you’ll need to create, and the important things to keep in mind. This doesn’t need to take long, a quick sketch will do the job. It’s always easier to start with a quick sketch than staring at a blank screen. Workflowīefore modelling anything, I sometimes like to put some basic sketch on paper first, especially with projects that involve different universes that should be connected together, like here. The final video is shot in full HD and visible on their Youtube channel. It was a pleasure to work with open minded artists like them, and animating voxels that way was challenging: each scene had its own lights and should not interfere with the others, but had to fit in the whole scene with a fly-through camera. It involved 4 different scenes (a stage, a restaurant, the backstage, and a kitchen) put together and lit one after another. The japanese music group Project Mili contacted me to create a 3 minute clip based on one of their new songs called Mirror Mirror. ![]() Next, take a soft cloth and massage those brighter spots to improve the uniformity. ![]() This will allow you to see the lighter spots on the screen. ![]() While this can fix the issue, we don't recommend it unless you know exactly what you're doing, as it may cause more problems than it solves.įor clouding, there's a pretty simple fix that-while not guaranteed-can have good results. Power on the TV and display a black image. You should also keep in mind that a small change in the tightness of a screw can have a big impact on the uniformity of the screen, so be careful if ever you do try this step. Some TVs don't expose the screws, however, so this won't always be possible. If the flashlighting is caused by pressure from the TV's frame, you can adjust it by slightly loosening or tightening the screws behind the edge of the screen. This is less likely to happen with a brand new TV but can start appearing over time if some components age and degrade faster than others.įlashlighting can sometimes be fixed on some televisions. Sometimes, the intensity between two lighting components can vary in a set (for example, one LED could be slightly brighter than an LED next to it). On some televisions, this can be fixed (see below). A slight difference in pressure on the frame of the television can change the uniformity of the picture. Both the LCD screen and the diffuser layers are somewhat flexible. You can learn more about different backlights here. Full-array LED TVs have good uniformity because their LEDs are spread out across the whole screen. The worst uniformity can be found on edge-lit LED TVs, because the LEDs are only on the edge of the screen. The type of backlight and its position directly affects the uniformity of the screen. Learn more about the difference between OLED and LED TVs The cause of flashlighting and cloudingįlashlighting and clouding can occur for a few reasons: That means they don't suffer from clouding or flashlighting as LED TVs do. LED-backlit LCD TVs are prone to black uniformity issues, but OLED TVs can produce virtually perfect blacks because their pixels are self-emitting, and therefore don't have the same limitations caused by improper backlight implementation. Learn more about the difference between VA and IPS LED vs. IPS panels, on the other hand, have worse contrast ratios and suffer from more backlight issues that can affect black uniformity, including 'IPS glow', which is a kind of 'glow' effect that can be seen in the corners of IPS screens. VA panels tend to have much high contrast ratios, and therefore better black uniformity. LED-backlit LCD TVs typically come in one of two sub-types of panels: Vertical Alignment (VA) or In-Plane Switching (IPS). This is to see if it has any issues with blooming or backlight bleed. We also calculate the standard deviation of the color values of the pixels when they try to display black, and then repeat the test with local dimming enabled. Both are caused by the TV improperly diffusing the backlight across the entire screen, and both are especially obvious when the TV is being viewed in a dark room.įor this test, we take a photo of the TV while it displays a mostly black frame with a white center cross, which is meant to emulate bright objects in dark scenes, like stars in a night sky. Backlight bleed can include flashlighting, which looks like a flashlight has been pointed across the corners of the television, and clouding, which looks like brighter patches on parts of the screen. Unfortunately, all LED TVs have some imperfections as a result of the backlight. Perfect black uniformity would mean shadows, night skies, and other black objects would look equally dark at any given point on the screen, and that the TV’s lighting is perfectly diffused across the screen. Black uniformity refers to a TV’s ability to display black evenly across its screen. 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Well, from time to time, we all need something new in our lives, and to be more precise, we need a fresh woman (or transsexual?) to take us to higher grounds than our girlfriends or wives. ![]() Even if you do research, sometimes the original just doesn't hold up as well. ![]() Personally, however, merely preferring a song's cover over an original can be a matter of perception or opinion. Peter Wolf solo even briefly did the same, covering Billie Holiday's version of the infamous Gloomy Sunday. Geils Band for their kitschy stuff in the 80s and only found out about their bluesy 70s stuff later (they were before my time). I don't argue this was a big problem both in rock's heyday (when cover songs by white acts was a big trend) and even arguably the 80s (when disco's fallout led to a semi-separation of R&B/Funk acts and the mainstream charts - arguably the reason Cameo lacked hits).įor me growing up, I only knew J. Honestly, this is not a good question to ask, because it's happened quite a lot of times (just a few instances: Tainted Love, All Along the Watchtower, Hurt, Hallelujah, Girls Just Wanna Have Fun, Istanbul (Not Constantinople), arguably Mad World, and one instance of a song where the original and cover mean different things - Respect). "Since WHEN does the COVER VERSION become the STANDARD, while the ORIGINAL becomes the ALSO RAN ?" I think its because I get a cynical vibe from the song and it doesn't suit the vocal quartet sound." "I first learned of this song from the J Geils Band, I hate to say that I prefer their version over this one on a video of the original. (3) That it was covered years later by The J.Geils Band. (2) That it was composed by two of The MIRACLES (Smokey Robinson and Bobby Rogers), and (1) That The CONTOURS were the ORIGINAL artists, and that they recorded for Motown Records (on the Gordy Label subsidiary) Most people here know three things about this song: It was posted by someone named Zerras on a posting of The Contours 1965 hit 'FIRST I LOOK AT THE PURSE". Read a comment on YouTube recently that kinda angered me. Since WHEN does the COVER VERSION become the STANDARD, while the ORIGINAL becomes the ALSO RAN ? I sure that THE MIRACLES did NOT have The J Geils Band in mind when they WROTE the song." That it "it doesn't suit the vocal quartet sound" is an argument that doesn't hold water. This song was written by two members of a vocal group (Miracles members SMOKEY ROBINSON and BOBBY ROGERS) FOR a VOCAL GROUP (The CONTOURS). So most people (who don't know better, because they never had the chance to hear the original versions) gave J Geils the credit for CREATING them.and that's WRONG. and they've had the advantage of the across-the-board radio airplay that the ORIGINAL ARTISTS couldn't get. Geils has copied The CONTOURS' "First I Look At The Purse", The VALENTINOS" "Looking For A Love", The SHOWSTOPPERS' "Ain't Nothing But A House Party", The SUPREMES' "Where Did Our Love Go", CHRIS KENNER'S "Land Of A Thousand Dances", The MARVELOWS' "I DO" and numerous other classic R&B tunes. With their massive INFLUENCE, The CONTOURS should have ALREADY been IN there !!! The J Geils Band is up for Rock and Roll Hall of Fame Induction. "The PROBLEM is that they receive MORE HONORS and ACCOLADES for COPYING the songs, that the ORIGINAL GROUPS got for CREATING them.and THAT NEEDS TO CHANGE. Note: on the LP version of the album, the cross-fade between "Love Rap" and "Love Stinks" is divided with an abrupt ending of "Love Rap" at the end of Side 1, and continuing with "Love Stinks" at the beginning of Side 2.Rock Bands are ALWAYS copying Classic R&B tunes. " Land of a Thousand Dances" ( Chris Kenner) – 5:41." Centerfold" (from) Freeze Frame) (Justman) – 4:03." I Do (from) Monkey Island)" (Melvin Mason, Johnny Paden, Frank Paden, Jesse Smith, Willie Stephenson) – 3:04."Stoop Down #39" (from Nightmares.and Other Tales from the Vinyl Jungle) – 5:56." Love Stinks" (from) Love Stinks) – 3:28."I'm Falling" (from Monkey Island) – 6:01."Till the Walls Come Tumblin' Down" (from Love Stinks) – 3:31."Just Can't Wait" (from Love Stinks) – 3:27."Jus' Can't Stop Me" (from Sanctuary) – 3:44.Professional ratings Review scoresĪll songs written by Seth Justman and Peter Wolf, except where noted. This was the last release by the band before frontman Peter Wolf's departure in 1983. The tracks are drawn primarily from the four studio albums released since Blow Your Face Out: Monkey Island (1977) Sanctuary (1978) Love Stinks (1980) and Freeze Frame (1981). While some critics consider it to be weaker than the group's two earlier live albums "Live" Full House (1972) and Blow Your Face Out (1976), this release captures the band at its commercial peak. It was recorded at the Pine Knob Music Theater in Clarkston, Michigan on September 4, 1982. Showtime! is the third and final live album by American rock band The J. " Land of a Thousand Dances b/w "Jus' Can't Stop Me". Photostack software5/3/2023 So as you zoom your lens, move closer to your subject, or widen your lens aperture, the amount of the scene that’s in focus will decrease. I think you will be pleasantly surprised.Now, if you’re familiar with camera optics, you’ll know that the depth of field is affected by three key factors: Please experiment (at these prices, why not). I also use the very sophisticated PT-GUI but I can honestly say that this little APP is always easier and almost always flawless. I can also strongly recommend the Developers’ other tool Panorama Stitcher (also on the App Store) that has a similar philosophy: fast, straightforward, accurate and really, really simple (but not ‘simpler than necessary’). I have found it just great for merging stacks of TIFF files out of DXO (then saving the result to DXO as a TIFF). It does what you want (including corrections that can be ‘brushed in’) quickly without fuss and with a very simple interface. ![]() A low-priced (I can’t see the price anymore since I own it but I seem to remember it is about $US10) but remarkably functional and reliable tool that, recently, I’ve been using in preference to my long-time favorite: Zerene Stacker. ![]() Just upping this old conversation to add a recommendation for the Mac OS: “Focus Stacker” on the App Store. …Be good for someone to talk about staking on Adobe, never used it. …Would be great if DXO supported the RAW file compiled from Sony’s pixel shift. There are times when it does a better job in certain situations than Helicon which boggles the mind (stitching stacks aka panorama).Ībove was for stacking on a rail if you stake astrophotography then perhaps look at PIPP its great for arranging images that will be most suitable for a stack based on their sharpness. I believe they are more or less the same.Īs you know DXO PL gives the tools to get the image how you want it at least remove the faults with the sensor, optics, environment, etc.Īffinity Photo i will sometimes use for its very forgiving in its stacking tolerances. I personally went for Helicon but i think the community may be better in Zerene. Next you will have to download the trial version of both Helicon Focus and Zerene stacker and make the call yourself. Note your camera will need to be able to tether to your computer to use these features. I do like Capture ones file management though for stacking. Other remote software i use is CaptureOne though for me using v12 will not compile the pixel shifted photos together so stick most of the time to Sony’s Remote and Viewer. Additionally can use Sony’s Viewer software which can automatically combine Sony’s Pixel shifted photos into one file for you. Here you can use Remote to stack remotely. Given i shoot with a Sony camera i can take advantage of their free software. Some software i use for stacking and personal highlights of each: and to emphasise the previous point, there is no one way to get this done i could take many routes it really comes down to personal preference, final use case, hard or software availability, etc. As a result i have a plethora of software and will use many in a workflow to get one final image. Personally, i have never found a single stacking software to be dynamic enough let alone be an ace at each feature. I stack A LOT as a hobby and use DXO PL as my primary ‘digital photo developing software’. Helicon is also a often used application for stacking. Garden fun in lockdown…Īs you can see Here SP holds not only focusstacking but also mutishot combining moving objects or deleting moving objects. I think i gona in combination with a tube extenders and flowers in the spring. Now i have a raw based, it’s workspace tiff i suspect, stacking in different way’s. Manual has more control but needs carefull processing. ![]() I tried to see if the camera did a good job in auto mode or that a more manual approach is resulting in a better outcome. Choose type of stacking hit execute done. ( first extract stills out the movieclip then proces those and export as tiff or jpeg load into combinezp. ![]() I used it to stack the 4k stacking clips my panasonic make for internal stacking ooc-jpegs. User interface is a bit “win 98” it’s origin i think. (full version is much more expensive.)Ĭombine zp is old stuff mostly used by astro photographers. Combine zp and now Silkypix v10 pro for panasonic. |